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Insertion of Surprise Elements in the Collaborative Learning Process through Graphic Representations for Synthesis (GRS): A Qualitative Study

机译:通过合成的图形表示(GRS)在协作学习过程中插入惊喜元素的定性研究

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Designers are motivated to the collaboration during professional practice and throughout college graduation years. However, during postgraduation in Design, students start having research work and, usually, a learning of theoretical subjects only through personal scope. With the goal of suggesting changes to such practice methodologies, this study aims to draw attention to a significant learning of theoretical classes in Design postgraduation, through visual thinking and collaboration principles. For such deed, it's being proposed as a didactic strategy the use of Graphic Representations for Synthesis (GRS) produced in groups within the classroom. This work presents a qualitative study, in which the production process, analysis and discussion of GRS developed collaboratively by students during the classes of UCD was investigated. Results have shown that the uses of GRS have supported students' learning and, the insertion of the surprise elements in the production of the GRS have brought substantial gains in this process.
机译:设计师在专业实践和整个大学毕业期间都积极参与合作。但是,在设计专业的研究生毕业期间,学生开始从事研究工作,并且通常仅通过个人范围来学习理论主题。为了建议对此类实践方法进行更改,本研究旨在通过视觉思维和协作原则,提请人们注意设计后毕业阶段理论课的重要学习。对于这样的行为,正在提议使用课堂内小组制作的综合图形表示法(GRS)作为教学策略。这项工作提出了一个定性研究,其中对学生在UCD课上合作开发的GRS的生产过程,分析和讨论进行了调查。结果表明,GRS的使用为学生的学习提供了支持,并且在GRS的制作中加入惊喜元素也为这一过程带来了可观的收益。

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