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The great beauty: A neuroaesthetic study by neuroelectric imaging during the observation of the real Michelangelo's Moses sculpture

机译:伟大的美丽:在观察真正的Michelangelo的摩西雕塑期间,神经电成像的神经性研究

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Recent studies have been showed as the perception of real or displayed masterpieces by ancient or modern painters generate stable neuroelectrical correlates in humans. In this study, we collected the neuroelectrical brain activity correlated with the observation of the real sculpture of Michelangelo's Moses within the church where it is actually installed in a group of healthy subjects. In addition to the cerebral activity also the heart rate (HR) and the galvanic skin response (GSR) were collected simultaneously, to assess the emotional engage of the investigated population. The Moses sculpture was observed by the group from three different point of views, each one revealing different details of the sculpture. In addition, in each location the light conditions related to the specific observation of the sculpture were explicitly changed. Results showed that cerebral activity of the subjects varied significantly across the three different views and for light condition against no light condition (p<0.04). Furthermore, the emotional engage estimated on the whole population is higher for a point of observation in which the Mose's face is directed toward the eyes of the observers (p<0.02). Finally, the cerebral appreciation of the investigated group was found maximum from a perspective in which all the details of the sculpture could be easily grab by the eyes. Results suggested how the perception of the sculpture depends critically by the point of view of the observers and how such point of view can produce separate emotional and cerebral responses.
机译:最近的研究已经表明是古代或现代画家对真实或展示的杰作的感知产生了人类的稳定神经电相关。在这项研究中,我们收集了神经电脑活动与米开朗基罗摩西的实际雕塑的观察相关,它实际上安装在一组健康的科目中。除了脑活动,同时收集心率(HR)和电抗性皮肤反应(GSR),以评估调查人群的情绪接种。这些摩西雕塑由集团从三种不同的观点观察到,每个人都揭示了雕塑的不同细节。另外,在每个位置,明确改变与雕塑的特定观察相关的光条件。结果表明,受试者的脑活动在三种不同视图上显着变化,并且对于无灯条件的光条件(P <0.04)。此外,在整个人口上估计的情绪接触对于观察点的观察点估计较高,其中朝向观察者的眼睛朝向观察者的眼睛(P <0.02)。最后,从一个角度来看,发现所研究的群体的脑升值最大限度地发现了雕塑的所有细节可以容易地被眼睛抓住。结果表明,雕塑的感知如何通过观察者的观点和这种观点来产生单独的情绪和脑反应的观点来批判全重要。

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