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Moving with Beats and Loops: The Structure of Auditory Events and Sensorimotor Timing

机译:节拍和循环运动:听觉事件和感觉运动时机的结构

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Traditionally, audio-motor timing processes have been understood as motor output from an internal clock, the speed of which is set by heard sound pulses. In contrast, this paper proposes a more ecologically-grounded approach, arguing that audio-motor processes are better characterized as performed actions on the perceived structure of auditory events. This position is explored in the context of auditory sensorimotor synchronization and continuation timing. Empirical research shows that the structure of sounds as auditory events can lead to marked differences in movement timing performance. The nature of these effects is discussed in the context of perceived action-relevance of auditory event structure. It is proposed that different forms of sound invite or support different patterns of sensorimotor timing. Hence, the temporal information in looped auditory signals is more than just the interval durations between onsets: all metronomes are not created equal. The potential implications for auditory guides in motor performance enhancement are also described.
机译:传统上,音频电动机计时过程已被理解为来自内部时钟的电动机输出,内部时钟的速度由听到的声音脉冲设定。相比之下,本文提出了一种更具生态基础的方法,认为音频运动过程可以更好地表征为对听觉事件的感知结构所执行的动作。在听觉感觉运动同步和持续时间的背景下探索该位置。实证研究表明,作为听觉事件的声音结构可能会导致运动计时性能出现明显差异。这些效果的性质是在听觉事件结构的感知到的行动相关性的背景下讨论的。提出了不同形式的声音邀请或支持不同形式的感觉运动定时。因此,循环听觉信号中的时间信息不仅仅是发作之间的间隔持续时间:并非所有的节拍都相等。还描述了听觉指导对运动表现的潜在影响。

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