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Theoretical Considerations towards Authoring Emergent Narrative

机译:创作新兴叙事的理论思考

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Unlike linear storytelling, an Emergent Narrative only truly exists at run-time and can only be visualized retrospectively. The author is engaged in creating a hypothetical narrative space on the basis of individual character behaviors, story interventions and likely occurrences. While an Emergent Narrative approach allows for a flexible and adaptable run-time rendering of a scenario, it also causes considerable strains on the authoring process. If such a concept is to prove both tangible and produce qualitative outputs, creative writers need to be able to relate to it as a potential mode of expression. In this discussion article, we aim to explore theoretical considerations towards authoring Emergent Narrative, provide a discussion on the context surrounding the authorial process and the structure it should follow. Finally, we introduce the concept of Intelligent Narrative Feedback as a necessary core element for an efficient authoring process for EN experiences.
机译:与线性叙事不同,紧急叙事仅在运行时才真正存在,并且只能进行回顾性可视化。作者致力于基于个人角色行为,故事干预和可能发生的事件来创建假设的叙事空间。紧急叙事方法可以实现场景的灵活和适应性运行时渲染,但同时也会给创作过程造成很大的压力。如果要想证明这一概念既有形又能产生定性的结果,那么有创造力的作家就必须能够将其作为一种潜在的表达方式。在这篇讨论文章中,我们旨在探讨创作紧急叙事的理论考虑,提供围绕创作过程的背景及其应遵循的结构的讨论。最后,我们介绍了智能叙事反馈的概念,这是有效的EN体验创作过程的必要核心要素。

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