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What Is a Good Day for Outdoor Photometric Stereo?

机译:户外光度立体声的好日子是什么?

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Photometric Stereo has been explored extensively in laboratory conditions since its inception. Recently, attempts have been made at applying this technique under natural outdoor lighting. Outdoor photometric stereo presents additional challenges as one does not have control over illumination anymore. In this paper, we explore the stability of surface normals reconstructed outdoors. We present a data-driven analysis based on a large database of outdoor HDR environment maps. Given a sequence of object images and corresponding sky maps captured in a single day, we investigate natural factors that impact the uncertainty in the estimated surface normals. Quantitative evidence reveals strong dependencies between expected accuracy and the normal orientation, cloud coverage, and sun elevation. In particular, we show that partially cloudy days yield greater accuracy than sunny days with clear skies; furthermore, high sun elevation--recommended in previous work--is in fact not necessarily optimal when taking more elaborate illumination models into account.
机译:自成立以来,在实验室条件下,光度立体声已经在实验室条件下进行了广泛探讨。最近,在自然户外照明下采用这种技术进行了尝试。户外光度立体声呈现额外的挑战,因为一个人不再对照明进行控制了。在本文中,我们探讨了在室外重建的表面法线的稳定性。我们基于大型室外HDR环境映射数据库提供了一种数据驱动分析。给定一天捕获的物体图像和相应的天空图序列,我们调查影响估计表面法线中不确定性的自然因素。定量证据揭示了预期准确性和正常定位,云覆盖率和太阳海拔之间强的依赖关系。特别是,我们表明,部分阴天的日子比晴朗的天空比晴天更高的准确性;此外,在以前的工作中推荐的高阳光海拔 - 事实上,在考虑更加精致的照明模型时,实际上不一定是最佳的。

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