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The creative adaptation of the psaltic monody in the present day choir creation for the liturgy in the Republic of Moldova - Teodor Zgureanu - The Hymns of the Holy Liturgy by Saint John the Chrysostomos

机译:摩尔多瓦共和国现今合唱团创作的诗篇小调的创造性改编-Teodor Zgureanu-Chrysostomos的圣约翰的圣礼赞美诗

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摘要

The present study focuses on the Hymns of the Holy Liturgy by Saint John the Chrysostomos for a men's choir, soprano and children's choir by the composer Teodor Zgureanu; he draws his inspiration from the monody of Byzantine origin. The melodies he creates are original; in some of the parts/sections of his Liturgy he only suggests oriental themes, while in others he faithfully reproduces the features of the psaltic monody (a modal sound structure, characteristic of psalm echoi, gradual and undulating scalar profile, specific formulas and cadences). The musical devices he uses are reminiscent of practices in the church choir singing (the ison, the dialogue between the soloist and the choir in the antiphonal manner); the harmonic devices consist of free harmonic non-functional relations, simple and double ison, motif sequencing a.s.o.
机译:本研究的重点是由Chrysostomos的Saint John撰写的圣礼赞美诗,由作曲家Teodor Zgureanu创作的男子合唱,女高音和儿童合唱团。他从拜占庭式的起源中汲取了灵感。他创作的旋律是原创的;在礼仪的某些部分/部分中,他仅提出东方主题,而在其他部分中,他忠实地再现了诗篇单调的特征(模态声音结构,诗篇回声的特征,逐渐和起伏的标量轮廓,特定的公式和节奏) 。他使用的乐器让人想起教堂合唱团的演唱方式(ison,即独奏者与合唱团之间的对唱)。谐波设备由自由谐波非功能关系,简单和双重等离偶,基序排序等组成。

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