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Professional musicians’ hearing, their perception of risk, and attitudes regarding hearing protection

机译:专业音乐家的听力,对风险的看法以及对听力保护的态度

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The objective of this study was to investigate the suitability of the use of hearing protectionamong the members of an instrumental and vocal band during their rehearsals andperformances. The study group consisted of 34 members of the Indaial Municipal Band.Subjects answered questionnaires and underwent pure-tone audiometry. They also attended alecture where informative folders and hearing protection was provided; subjects were asked totry using the protectors during a 3-month period. Mean sound pressure levels during a rehearsalranged from 96.4 dB(A) to 106.9 dB(A). At the end of the study period, 56.2% reported theydid not like hearing protection, while 43.7 % liked it. The most common complaints werediscomfort with sounds (58.8 %) and tinnitus (47%). Seventy-seven percent reported thatmusic might cause hearing impairment. When median audiometric thresholds were comparedwith those from age-matched unexposed controls, a statistically significant difference wasobserved in the right ear at 4 and 6 kHz and at the left ear in 3, 4 and 6 kHz. Although mostsubjects were aware of the risk, few took any preventive measure against the hearing risks.This suggests the need for periodic educational campaigns and specific legislation tailored tomusic professionals.
机译:这项研究的目的是调查在彩排和表演期间,在乐器和声带成员中使用听力保护的适合性。该研究小组由Indaial市政乐队的34名成员组成。受试者回答问卷并接受纯音测听。他们还参加了提供信息资料夹和听力保护的美化活动;要求受试者在3个月内尝试使用保护器。排练期间的平均声压级在96.4 dB(A)到106.9 dB(A)之间。在研究结束时,56.2%的人表示不喜欢听力保护,而43.7%的人喜欢。最常见的主诉是声音不舒服(58.8%)和耳鸣(47%)。 77%的人报告音乐可能会导致听力受损。当将中位听阈阈值与年龄匹配的未暴露对照组的听阈阈值进行比较时,右耳在4和6 kHz处以及左耳在3、4和6 kHz处观察到统计学上的显着差异。尽管大多数受试者都意识到了这种风险,但很少有人采取任何预防措施来预防听力风险,这表明需要定期开展教育活动和针对音乐专业人士的专门立法。

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