首页> 外文会议>International Conference on Computational Science(ICCS 2005) pt.2; 20050522-25; Atlanta, GA(US) >Probing the Eddies of Dancing Emergence: Complexity and Abstract Painting
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Probing the Eddies of Dancing Emergence: Complexity and Abstract Painting

机译:探索舞蹈兴起的漩涡:复杂性与抽象绘画

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Complexity and abstraction provide a fertile frontier by which to express and experience complex systems in art, with integral challenges for abstract painting: Can we create complex art without a computer? What are the simple rules by which to create that art? The author proposes a model of the artist and her materials as a cellular automaton (CA) with eight simple rules. Experiments with the New Kind of Science (NKS) Rule 1599 algorithm, abstract painting and video shorts are discussed with four observations about the plurality of CA visualization, a new abstract visual language that embraces emergence, the discovery of "eddies" of complexity within the paintings, and the resemblance of these eddies to other complex phenomena found in nature and culture. Future exploration merits investigation into the neural basis of art, and experimentation in the synaesthesic experience of complexity.
机译:复杂性和抽象性提供了一个丰富的领域,可以用来表达和体验艺术中的复杂系统,同时对抽象绘画也提出了挑战:我们是否可以不用计算机来创造复杂的艺术?创造艺术的简单规则是什么?作者提出了一个艺术家和她的模型作为带有八个简单规则的元胞自动机(CA)。讨论了使用“新型科学(NKS)规则1599”算法,抽象绘画和视频短片进行的实验,并对CA可视化的多种形式进行了四项观察,CA可视化是一种新兴的抽象可视语言,它包含了新兴的知识,并在其中发现了复杂的“漩涡”。绘画,以及这些漩涡与自然和文化中发现的其他复杂现象的相似之处。未来的探索值得对艺术的神经基础进行研究,并在复杂的合觉体验中进行实验。

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