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How designers transform keywords into visual images

机译:设计师如何将关键字转换为视觉图像

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In this paper, we describe two experiments for examining how designers think with drawings in order to generate visual images of the design object. In the first experiment, we assigned to subjects the task of designing a chair, which evokes a 'sad image'. An assumption of our work, based on previous experiments, is that an abstract keyword is more difficult to apply to a visual image of the design than using a concrete keyword. From the results of this experiment, several different paths in the thinking process were found and we concluded that the creative thinking process needs a high abstract level in transforming a goal description to its corresponding visual image. In the second experiment, the aim was to understand more details of the creative thinking process. We monitored the subjects' drawing process by using video cameras from two different angles. In this experiment, we adopted a method whereby the subjects verbalized about their actions during the design process. Based up the results ofthis experiment, we found several different search modes in the subjects' thinking processes. Finally, we propose a general thinking path model of creative design.
机译:在本文中,我们描述了两个实验,以检查设计人员如何通过图纸思考以生成设计对象的可视图像。在第一个实验中,我们分配给受试者设计椅子的任务,该椅子唤起了“悲伤的形象”。根据先前的实验,我们的工作假设是,与使用具体关键字相比,抽象关键字更难以应用于设计的视觉图像。从本实验的结果中,我们发现了思维过程中的几种不同路径,并且我们得出结论,创造性思维过程需要将目标描述转换为相应的视觉图像时具有较高的抽象水平。在第二个实验中,目的是了解创造性思维过程的更多细节。我们通过使用摄像机从两个不同的角度监视了对象的绘画过程。在本实验中,我们采用了一种方法,使受试者在设计过程中口头表达自己的行为。根据本实验的结果,我们在受试者的思维过程中发现了几种不同的搜索模式。最后,我们提出了创意设计的一般思维路径模型。

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