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To Harmonize Quality and Quantity

机译:协调质量和数量

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摘要

An ever-growing Internet places an increasing demand on cultural institutions ability to deliver digital material. Not too long ago internal production lines managed the demand, but today the demand of making digitised material available is so large, that many institutions no longer cope with digitising within their own ranks. In recent years, many institutions got into so-called mass digitising projects to be able to live up to the high demands from the public, but also in the hope that in such a production environment finds cost-effective methods that enable the digitising of the wealth of material that they have to administer. These large development projects are often financially driven by different funds and contributions in order to build a production line. But what happens when these projects are subjected to reality, that is, moving from a development environment to a production environment where a lot of money can be involved? What's the expectation of the end product; will it differ from the expectations and requirements one has on products from internal production lines?
机译:不断发展的互联网对文化机构传递数字资料的能力提出了越来越高的要求。不久前,内部生产线满足了需求,但如今提供数字化材料的需求如此之大,以至于许多机构不再能够在自己的队伍中应对数字化。近年来,许多机构参加了所谓的大规模数字化项目,以能够满足公众的高要求,但也希望在这样的生产环境中找到经济有效的方法来实现数字化。他们必须管理的大量材料。这些大型开发项目通常在财务上由不同的资金和捐款驱动,以构建生产线。但是,当这些项目经受现实时,即从开发环境转移到可能涉及大量资金的生产环境时,会发生什么?最终产品的期望是什么?它与内部生产线产品所具有的期望和要求有何不同?

著录项

  • 来源
    《Archiving 2013》|2013年|80-83|共4页
  • 会议地点 Washington DC(US)
  • 作者

    Heidi Rosen; Torsten Johansson;

  • 作者单位

    The National Library of Sweden;

    The National Library of Sweden;

  • 会议组织
  • 原文格式 PDF
  • 正文语种 eng
  • 中图分类
  • 关键词

  • 入库时间 2022-08-26 14:07:44

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