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Representation and Restoration Theories for a Digital Life of the Archival Architectural Drawings

机译:档案建筑图纸数字生活的表示和还原理论

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摘要

The essay focuses on the need to provide a theoretical basis for the transfer in digital environments of the architectural figurative heritage that was produced with traditional techniques. In particular, it focuses on the sense and meaning of the digital transcription of both theoretical drawings and design drawings of unbuilt architecture. The experiments concern works by Franco Purini and Francesco Cellini, two Italian architects, protagonists of international architectural culture, and place us in front of choices and considerations. These have found support in already tested theories produced in different fields from Architectural Representation. The relationship between virtual and real has taken into account some of the positions by Tomás Maldonado, while Umberto Eco has inspired some ideas about the characteristics of contemporary artworks and the theories of architectural restoration expressed by Cesare Brandi, Giovanni Carbonara and, in particular, by Mario Manieri Elia in reference to the concept of "deferred execution", have been taken into account to endorse a methodological procedure.
机译:本文着重于为在数字环境中转移以传统技术产生的建筑形象遗产提供理论基础的需要。特别是,它侧重于未建建筑的理论图和设计图的数字转录的意义和意义。实验涉及两位意大利建筑师,国际建筑文化的主角Franco Purini和Francesco Cellini的作品,使我们处于选择和考虑的前面。这些已在“建筑表示法”的不同领域中产生的经过测试的理论中找到支持。虚拟与真实之间的关系已经考虑到了托马斯·马尔多纳多(TomásMaldonado)的某些立场,而翁贝托·艾考(Umberto Eco)启发了一些关于当代艺术品的特征以及切萨雷·布兰迪(Cesare Brandi),乔瓦尼·卡波纳拉(Giovanni Carbonara),尤其是考虑到“延期执行”的概念,Mario Manieri Elia已被认可为一种方法学程序。

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