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A strategy for selecting optimal vergence pose and calibration patterns for stereo-vision calibration

机译:为立体视觉校准选择最佳收敛姿态和校准模式的策略

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摘要

The usage of stereo-vision in Automobile, Automation, machine-vision, Infotainment etc. is growing these days enormously day by day. To design a stereo-vision camera, we need to know optimal vergence pose between two cameras as well as number of stereo-pairs required for calibration so that stereo-vision can yield dense disparity map, precise 3D reconstruction, higher stereo-calibration accuracy as well as lower calibration time. This paper addresses these problems of stereo-vision prior to calibration by selecting optimal vergence pose between two cameras and optimal number of stereo-calibration pattern pairs for calibration. To estimate optimal vergence pose, a set of virtual stereo-calibrations patterns are generated by varying Euler angles and it is observed that stereo-reprojection error decreases as Roll angle reduces and exhibits mirror image property and is less sensitive to the variations in Yaw and Pitch. Also to estimate the optimal number of stereo-calibration pattern pairs, an epipolar constraint error was used in eliminating redundant pairs thereby reducing stereo-calibration time and lower stereo-reprojection error.
机译:如今,立体视觉在汽车,自动化,机器视觉,信息娱乐等领域的使用正日益增长。要设计立体视觉相机,我们需要知道两个相机之间的最佳聚散姿势以及校准所需的立体对数量,以便立体视觉可以产生密集的视差图,精确的3D重建,以及更高的立体校准精度。以及更短的校准时间。本文通过选择两个摄像机之间的最佳聚散姿势和用于校准的最佳数量的立体声校准图案对来解决校准之前的立体视觉问题。为了估计最佳的收敛姿势,通过改变欧拉角来生成一组虚拟的立体校准图案,并且观察到,随着侧倾角的减小,立体投影误差会减小,并表现出镜像特性,并且对偏航角和俯仰角的变化不那么敏感。 。另外,为了估计最佳的立体声校准图案对数,使用了对极约束误差来消除冗余对,从而减少了立体声校准时间并降低了立体声重投影误差。

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