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The Power of the Gaze: Seeing and Being Seen in 'Nineteen Eighty-Four' and 'The Handmaid's Tale'

机译:凝视的力量:在“一九八四”和“女仆的故事”中看到和看到的

摘要

One of the central themes in George Orwell’s novel Nineteen Eighty-Four (1949) and in Margaret Atwood’s novel The Handmaid’s Tale (1985) is the power of the gaze. Set in a futuristic and totalitarian society, the two novels demonstrate how the gaze, the notion of seeing and being seen, alternately works as a method of empowering and disempowering. The thesis uses Michel Foucault’s book Discipline and Punish: The Birth of the Prison (first published in 1975; first translated in 1977 by Alan Sheridan), Laura Mulvey’s essay “Visual Pleasure and Narrative Cinema” (first published in 1975) and Irene Visser’s article “Reading Pleasure: Light in August and the theory of the gendered gaze” (1997) as its main theoretical framework. It is within this framework of empowering and disempowering gazes that these two novels provide the foundation for a literary analysis of the gaze. The focal point of this analysis is to show how the gaze can both empower and disempower the protagonists within the futuristic totalitarian regimes they are bound to live in. The thesis will further discuss how power as a theme can be taught to students at VGS-level in the Upper Secondary School using George Orwell’s novel Nineteen Eighty-Four as a background text. Personal development is a significant part of the education. This includes knowledge about societal issues, which might affect the pupils’ everyday life. The Nineteen Eighty-Four themes of surveillance, totalitarianism and governmental control are present day issues which need to be brought to pupils´ attention and discussed. These themes are relevant for the pupils’ understanding of the world today. Within this framework, the didactic work promoted in this thesis is based on Orwell’s novel and considers the general aims and competence aims presented in the Knowledge Promotion Reform 2013 and the English Subject Curriculum 2013. The focus of the didactic project is both to work with a literary text and the basic skills reading, writing and oral skills as well as to discuss present day issues in light of the novel, which affect the pupils’ lives.
机译:凝视的力量是乔治·奥威尔(George Orwell)的小说《十九八十四》(1949)和玛格丽特·阿特伍德(Margaret Atwood)的小说《女仆的故事》(The Handmaid's Tale)(1985)的中心主题之一。这两部小说以一个未来主义和极权主义社会为背景,展示了凝视(看到和被看见的概念)如何交替地作为一种赋予权力和丧失权力的方法。本文使用米歇尔·福柯(Michel Foucault)的著作《纪律与惩罚:监狱的诞生》(于1975年首次出版;于1977年由Alan Sheridan首次翻译),劳拉·穆维(Laura Mulvey)的论文《视觉愉悦与叙事电影》(Visual Pleasure and Narrative Cinema)(于1975年首次出版)和艾琳·维瑟(Irene Visser)的文章“阅读乐趣:八月的光与性别凝视理论”(1997年)为其主要理论框架。正是在这种赋予凝视力和取消凝视力的框架内,这两本小说为凝视的文学分析提供了基础。该分析的重点是显示凝视如何赋予他们必然居住的未来极权主义政权内的主角权力和使其无权。论文将进一步讨论如何向VGS级别的学生教授权力这一主题乔治·奥威尔(George Orwell)的小说《十九四十四》作为背景教科书。个人发展是教育的重要组成部分。其中包括有关社会问题的知识,这可能会影响学生的日常生活。监视,极权主义和政府控制等十九四个主题是当今的问题,需要引起学生的注意和讨论。这些主题与学生对当今世界的理解有关。在此框架内,本论文所倡导的教学工作是基于奥威尔的小说,并考虑了《 2013年知识促进改革》和《 2013年英语学科课程》中提出的总体目标和能力目标。文学小说和基本技能的阅读,写作和口语技能,以及根据小说来讨论当今的问题,这些都会影响学生的生活。

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