首页> 外文OA文献 >Hacia una contextualización histórico-cultural de 'Brigada Central' /TVE 1:1989): leyendo la transición democrática en España en el drama televisivo de calidad y el género policiaco
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Hacia una contextualización histórico-cultural de 'Brigada Central' /TVE 1:1989): leyendo la transición democrática en España en el drama televisivo de calidad y el género policiaco

机译:迈向“中央旅” / TVE 1:1989的历史文化背景:通过优质的电视剧和警察体裁来阅读西班牙的民主过渡

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摘要

The present paper is an introduction to the historical and cultural context of the Spanish TVseries Brigada Central (TVE 1: 1989). The three main aims of this article are, firstly, to analysethe series according to the characteristics of quality television drama (Thompson, 1996);secondly, to examine the image of the police in the social context of the period and toplace the series within the historical production of the detective genre in Spanish television;and finally, to study how ethnic, geographic and social identities are represented in thisfiction and to establish the links between the series and the Post- Franco Era.A qualitative methodology based on textual analysis will be used in this paper. Besides, wewill use a model of data reading close to Cultural Studies academic field in order tocontextualize the object of study.This analysis of Brigada Central highlights that the series is a precursory quality televisiondrama in Spain that followed the trail of Hill Street Blues (NBC: 1981-87). It also has asceptical look at Spanish police, which wouldn’t be changed until late nineties. Finally, weconclude that the series represents somehow the so-called disillusion with the SpanishDemocratic Transition, which can be seen singularly in Inspector Flores’ character arc.
机译:本文是对西班牙电视连续剧《中央旅》(TVE 1:1989)的历史和文化背景的介绍。本文的三个主要目的是,首先,根据高质量电视剧的特点来分析剧集(Thompson,1996);其次,研究该时期社会环境中警察的形象,并将该剧集放入电视中。西班牙电视的侦探类型的历史产生;最后,研究该小说如何表现种族,地理和社会身份,并建立该系列与后弗朗哥时代之间的联系。基于文本分析的定性方法将是在本文中使用。此外,我们将使用接近文化研究学术领域的数据阅读模型来研究研究对象.Brigada Central的分析突出表明,该系列是西班牙的先驱电视剧,紧随Hill Street Blues(NBC: 1981-87)。它还对西班牙警察持怀疑态度,直到90年代后期才改变。最后,我们认为该系列在某种程度上代表了西班牙民主过渡的所谓幻灭感,可以从弗洛雷斯督察的角色弧中看到。

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