首页> 外文OA文献 >Espelho meu, espelho meu, há alguém mais livre do que eu?”: retratos de princesas nos contos dos irmãos Grimm e na literatura contemporânea para crianças
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Espelho meu, espelho meu, há alguém mais livre do que eu?”: retratos de princesas nos contos dos irmãos Grimm e na literatura contemporânea para crianças

机译:我的镜子,我的镜子,还有谁比我更自由吗?”:格林兄弟的故事和当代儿童文学中的公主肖像

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摘要

The Brothers Grimms’ Kinder-und Hausmärchen seems to have promoted patriarchal bourgeois values as part of the socialization process in the nineteenth century, modelling children’s gender identity and behaviour over time. Taking into account, under the hegemonic representations of gender, that female identity becomes associated with a set of values and behaviours, this article presentsan analysis of some portrayals of princesses in contemporary children’s literature published in Portugal, by relating those portrayals with two well-known Grimms’ fairy tales: “Little Snow-White” and “Little Briar-Rose”. Our aim is to find out in what ways those images of princesses of the twenty-first century are substantially different from those conveyed by Grimms’ fairy tales, analysing their emancipatorypotential. Finally, we wish to apprehendwhich ideologies underpin those portrayalsand to verify if they effectively lead to a new world vision by depicting women as real free human beings.
机译:作为19世纪社会化进程的一部分,格里姆斯兄弟的Kinder-undHausmärchen促进了父权资产阶级的价值观,为儿童的性别认同和行为建立了模型。考虑到在性别的霸权主义表征下,女性身份与一系列价值观和行为相关联,本文通过对葡萄牙当代儿童文学中公主的一些刻画进行了分析,将这些刻画与两个著名的人物联系起来。格林姆斯的童话故事:“小白雪公主”和“小野蔷薇”。我们的目的是找出二十一世纪的公主形象与格里姆斯童话所传达的形象有何本质差异,并分析其解放潜力。最后,我们希望理解哪些意识形态是这些刻画的基础,并通过将妇女描绘成真正的自由人类来验证它们是否有效地导致了新的世界视野。

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