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Independent, Mainstream and In Between: How and Why Indie Films Have Become Their Own Genre

机译:独立,主流和介于两者之间:独立电影如何以及为何成为自己的类型

摘要

u22Indie filmu22 is a term many film critics and audience members use, but do most people know what that word is really labeling? This paper unravels what is meant by the term u22indie film,u22 how it is defined and how it can be classified in todayu27s film industry as its own genre. Through an analysis of a number of recent indie and Hollywood films, this paper illustrates that indie films can be categorized by their un-Hollywood mechanical and narrative styles. Furthermore, in an examination of the history of the American film industry, it shows that todayu27s industry has reached a muddled state where determining the financial situation of a film is difficult, making room for a new definition of the term u22independent.u22 Although, indies are made by both large studio corporations and tiny production companies, viewers still recognize them as indies. They do not divide them by their finances, and in fact expect a certain style from them no matter how much they are made for. All of this allows indie films of today to be classified into their own genre - u22The Indie.u22
机译:独立电影是许多电影评论家和观众所使用的术语,但是大多数人都知道这个词的真正含义吗?本文阐述了“独立电影”一词的含义,定义以及在当今电影业中如何将其分类为自己的类型。通过对近期的许多独立电影和好莱坞电影的分析,本文说明了独立电影可以根据其非好莱坞的机械和叙事风格进行分类。此外,在对美国电影业历史的考察中,它表明当今的电影业已陷入混乱状态,难以确定电影的财务状况,这为“独立”一词的新定义提供了空间。 u22尽管独立电影是由大型制片公司和小型制作公司制作的,但观众仍然将它们视为独立电影。他们并没有按财务状况划分他们,实际上,不管他们为多少付出了什么,他们都期望他们有某种风格。所有这些使今天的独立电影可以分为各自的类型-独立。

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