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Commemorating Communist East Germany in the Berlin Republic: Modes of Remembrance in Literature, Film, and Memorial Sites

机译:在柏林共和国纪念东德共产主义:纪念文学,电影和纪念馆的方式

摘要

This dissertation studies how the Berlin Republic commemorates Communist East Germany and investigates how this engagement is translated into cultural memory. I understand cultural memory as dynamic, multifaceted, and as a widely contestational interplay of past and present in socio-cultural contexts. The making of cultural memory involves various participants and allows us to examine the nexus between individual remembering and culturally mediated memory. Culturally mediated memory appears as a process of the representation and manifestation of the past in the present. By studying the mediality of ‘present pasts,’ we gain an understanding of how the past is remembered and how it is mediated via cultural objects in the present. udMy dissertation analyzes two texts by East German writer Christa Wolf, the novella Was bleibt (1990) and the novel Stadt der Engel oder The Overcoat of Dr. Freud (2010), Andreas Kleinert’s film Wege in die Nacht (1999) and Florian Henckel von Donnersmarck’s Das Leben der Anderen (2006), and two memorial sites, the former State Security prison Berlin-Hohenschönhausen and the largest GDR prison for women Hoheneck. The objects reveal that the ‘present past’ is not the alignment of a society with a certain narrative of historical time. The various modes that translate memory into cultural form constitute society and bring individuals into communication as society. They show how society continually establishes itself as it redefines its relationship to the remembered past. The objects capture remembrance as an act of reinvestigating Vergangenheitsbeziehungen, relationships to the past. Instead of recalling the past in order to turn the page on a troubled history and thus strive for Vergangenheitsbewältigung, the objects make apparent how past experiences are continually renegotiated, transformed, and utilized in order to respond to present needs. This project understands remembering as a development. It describes remembering and acts of memorialization as Vergesellschaftung, sociality. Memory appears as the moment of sociality when remembering instantiates and results in a mutual relationship between individuals and social groups, in which remembering is performed. We see how society arises and experiences itself in its remembering and how remembering as experience in itself offers society an experience of itself.ud
机译:本文研究了柏林共和国如何纪念东德共产党,并探讨了这种参与如何转化为文化记忆。我将文化记忆理解为动态的,多方面的,并且是在社会文化环境中过去和现在的广泛竞争的相互作用。文化记忆的建立涉及到各种参与者,使我们能够考察个人记忆与文化介导的记忆之间的联系。文化介导的记忆似乎是对过去的再现和表现的过程。通过研究“现在的过去”的中介性,我们可以了解如何记住过去以及如何通过当前的文化对象来介导过去。 ud我的论文分析了东德作家克里斯塔·沃尔夫(Christa Wolf),中篇小说(1990)和小说《 Stadt der Engel oder。弗洛伊德博士的大衣》(2010),安德烈亚斯·克莱纳特(Andreas Kleinert)的电影《韦格在纳赫特》(1999)和弗洛里安·亨克尔(Florian Henckel)的两篇文章。冯·唐纳斯马克的《戴斯·勒本·德·安德仁(Das Leben der Anderen)》(2006年),以及两个纪念馆,即前国家安全监狱柏林·霍恩肖恩豪森监狱和最大的东德女性霍恩内克监狱。这些对象揭示了“现在的过去”并不是社会与历史时间的某种叙述的结合。将记忆转化为文化形式的各种模式构成了社会,并使个人作为社会进行交流。它们显示了社会如何重新定义与过去的往事,从而不断建立自己。这些对象作为对Vergangenheitsbeziehungen与过去的关系的重新调查而获得了纪念。这些对象并没有使人想起过去以使经历的历史陷入困境,而是为争取实现历史而努力,而是使人们清楚地知道如何不断地重新谈判,改变和利用过去的经验,以响应当前的需求。这个项目将记忆理解为发展。它描述了纪念和纪念行为,即社会性。当记忆实例化时,记忆就表现为社交性的时刻,并导致个人与社会群体之间的相互关系,从而进行记忆。我们看到社会如何产生并在记忆中经历自我,以及作为经验本身的记忆如何为社会提供自我体验。 ud

著录项

  • 作者

    Mascha Katrin;

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  • 年度 2014
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  • 原文格式 PDF
  • 正文语种 en
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