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Carl Jung’s archetypes in Malayalam film: a case study on the film ‘Urumi’

机译:荣格在马拉雅拉姆语电影中的原型:以电影《乌鲁木》为例

摘要

Movies are the visual- auditory symbolic narrative that explains the living reality of people. Films employ Carl Jung’s concept of archetypes-prototypical characters.This research provides an insight about the theory of archetype based on the assumption that archetypes resides deep inside human mind.The researcher proposes that the Malayalam film industry in India showcases the western concept of archetype using the movie Urumi as a case study. For this study, different clips are taken from the movie to represent six essential archetypes, namely, Hero, Anima, Animus, Mentor (sage), Shadow, and Trickster.The psychoanalysis of this movie carried out in this paper provides evidence for the existence of alludsix essential archetypes identified by Carl Jung. Thus this article will be a fruitful resource for future research in the field of psychoanalysis of movies.
机译:电影是视觉听觉的象征性叙事,解释了人们的生活现实。电影采用了卡尔·荣格(Carl Jung)的原型原型概念的概念,本研究基于原型存在于人的内心深处的假设为原型理论提供了见解。研究人员提出,印度的马拉雅拉姆语电影业通过以下方式展示了西方的原型概念:以电影Urumi为例。为了进行这项研究,从电影中截取了不同的剪辑来代表六种基本原型,即英雄,阿尼玛(Anima),Animus,导师(Sage),影子和骗子。本文对这部电影进行的心理分析为存在的证据提供了证据。荣格(Carl Jung)确定的所有 udsix基本原型。因此,本文将为电影心理分析领域的未来研究提供丰富的资源。

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