首页> 外文OA文献 >Silk and ink. What were silk wallets, and what can they, together with Jacobina Charlotta Munterhjelm’s diary, tell us about the gentry women’s lives in the 18th and 19th century?
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Silk and ink. What were silk wallets, and what can they, together with Jacobina Charlotta Munterhjelm’s diary, tell us about the gentry women’s lives in the 18th and 19th century?

机译:丝绸和墨水。什么是丝绸钱包?它们与Jacobina Charlotta Munterhjelm的日记一起能告诉我们18和19世纪士绅妇女的生活吗?

摘要

The subject of this thesis is the elaborate silk wallets and what can they tell about the gentry women’s lives in the 18th and 19th century Finland together Jacobina Charlotta Munsterhjelm’s diary. Silk wallets were made of silk and decorated by embroidering, they were used to preserve memorabilia and letters. Making these lavish items took time, skills and materials, and the decorations usually contained symbols and messages. As main source there are silk wallets from the collections of the National Museum of Finland and Satakunta Museum, as well as the diary of Jacobina Munsterhjelm from 1799 to 1801. By interpreting these items we can build a picture of gentry women’s lives. The culture of silk wallets is European, the silk wallet phenomenon studied is Swedish-Finnish, and the research is limited mainly in Finland by its sources. This research has been carried out by constructing a cultural context to the silk wallets with the help of Ginzburg’s methods from his work Juusto ja madot - 1500-luvun myllärin maailmankuva. Silk wallets represent the gentry as well as the communication culture in the 18th and 19th centuries, but have remained unstudied. The thesis consists of two parts, the first focuses on the silk wallets, from where were they developed, how they were made, and to their decorations. The silk wallet culture developed among the gentry handicrafts during the 18th century and faded during the early 20th century. The making of the silk wallets demanded time, skills and materials. The decorations contain messages and symbols – they contain the possible affections the makers might have toward the receiver, and reflect the status and qualities of the receiver. The second part examines the makers, the gentry women, and the handicraft culture which played a big role in their lives, through silk wallets and the diary of Jacobina Munstehjelm. From there it continues to the affections and meanings which can be found from the silk wallets.
机译:本文的主题是精致的丝绸钱包,它们可以告诉我们18世纪和19世纪芬兰绅士妇女的生活,以及雅各比娜·夏洛塔·蒙斯特赫耶姆(Jacobina Charlotta Munsterhjelm)的日记。丝绸钱包由丝绸制成,并通过刺绣进行装饰,用于保存纪念品和信件。制作这些奢华的物品需要花费时间,技巧和材料,装饰品通常包含符号和信息。作为主要来源,有芬兰国家博物馆和Satakunta博物馆收藏的丝绸钱包,以及1799年至1801年的Jacobina Munsterhjelm日记。通过解释这些物品,我们可以绘制出绅士女性生活的照片。丝绸钱包的文化是欧洲的,研究的丝绸钱包现象是瑞典-芬兰,并且该研究主要受其来源限制在芬兰。这项研究是通过在金茨堡(Ginzburg)的著作Juusto ja madot-1500-luvunmyllärinmaailmankuva的方法的帮助下,为丝绸钱包构建文化背景而进行的。丝绸钱包代表着18世纪和19世纪的士绅以及传播文化,但至今仍未被研究。论文分为两部分,第一部分着重于丝绸钱包,从哪里开发,如何制作到装饰品。丝绸钱包文化在18世纪的绅士手工艺品中发展起来,并在20世纪初逐渐消失。丝绸钱包的制作需要时间,技能和材料。装饰物包含信息和符号-它们包含制造商可能会对接收器产生的影响,并反映接收器的状态和质量。第二部分通过丝绸钱包和Jacobina Munstehjelm的日记,考察了在他们的生活中起着重要作用的制造商,士绅妇女和手工艺品文化。从那里继续到丝绸钱包中的情感和意义。

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    Virtanen Anu;

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  • 年度 2014
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