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Mossèn Avinyó, the Cancionero de Vindel and the Cançoner llemosí del siglo XV

机译:莫桑·阿维尼奥(MossnnAvinyó),坎德涅罗·德·温德尔(Cancionero de Vindel)和坎农·勒莫西·德·西格罗十五世(Cançonerllemosídel siglo XV)

摘要

This article illustrates an important while comparably unattended role played by the making of digital databases in our contemporary philological study of medieval poetry. By presenting a case study devoted to the figure of Mossèn Avinyó, a fifteenth-century Catalan nobleman and poet, the authors of this essay exemplify the need for a rigorous perusal of the material evidence that is being archived in digital projects. With paleographical, codicological, and literary evidence, the authors show with great probability that Avinyó himself compiled two manuscripts currently held by the Hispanic Society of America: the Cancionero de Vindel and the Cançoner llemosí del siglo XV. In doing so, the authors also show that these two manuscripts contain the entirety of Avinyó’s lyric production, along with a sampling of the poetry produced by those who traveled in Avinyó’s cultural circles
机译:本文说明了数字数据库的建立在我们对中世纪诗歌的当代语言学研究中所发挥的重要但相对无人值守的作用。通过对十五世纪加泰罗尼亚的贵族和诗人摩森·阿维尼奥(MossènAvinyó)的人物进行案例研究,本文的作者举例说明了对经过严格审阅的数字证据的需求。通过古生物学,文学学和文学方面的证据,作者极有可能证明阿维尼奥本人亲自编写了美国西班牙裔学会目前持有的两份手稿:《坎西涅罗·德·温德尔》和《坎昆内尔·勒莫西·德·西格罗十五》。通过这样做,作者还表明,这两个手稿包含了阿维尼奥的全部抒情作品,以及在阿维尼奥的文化圈中旅行的人们所创作诗歌的样本

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