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Footnotes, Endnotes, and HTML5: Blogging and the future of literary criticism

机译:脚注,尾注和HTML5:博客与文学批评的未来

摘要

Conference paper presented at the , Calgary 2016. Literary scholars were among the earliest adopters of digital dissemination of research; indeed, the field of Digital Humanities is populated heavily by people with PhDs in English, especially from areas like Renaissance literature where a large body of material is available in open source formats. As the Digital Humanities have expanded and other fields have embraced digital culture for dissemination of information, new issues around publishing and peer review, including the utility of open access journals, have emerged. These venues for publication and conversation offer a democratic approach to scholarly debate, often engaging academics and non-academics alike, and demanding acknowledgement of fan communities and their unique approaches to the close readings of texts. This intersection can frustrate traditionally-trained academics, but it can also enrich academic conversations and help connect the scholarship of literature to the real-world experiences of readers.
机译:会议论文在2016年卡尔加里(Calgary)上发表。文学学者是最早采用数字传播研究的采用者;确实,数字人文科学领域的人口众多,拥有英语的博士学位的人,尤其是在文艺复兴时期的文学领域,这些领域以开放源代码的形式提供了大量的资料。随着数字人文学科的发展和其他领域已经采用数字文化来传播信息,围绕出版和同行评审的新问题出现了,包括开放存取期刊的实用性。这些发表和交谈的场所为学术辩论提供了一种民主的方式,经常吸引学者和非学术界人士的参与,并要求对歌迷社区及其对阅读文本的独特方式的认可。这种交集可能会使受过传统训练的学者感到沮丧,但也可以丰富学术对话,并有助于将文学的学术知识与读者的真实体验联系起来。

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