Painting the National Portrait. Retrospectives of Italian and French Art in the 1930s

摘要

In contrast to the museum, exhibitions, by virtue of their temporary nature, allow art to be mobilised in response to more immediate demands and, in the case of the travelling exhibition, export historical narratives of the nation abroad. This essays examines four exhibitions of French and Italian art which took place in the decade before the SecondWorld War: two in London, the “Exhibition of Italian Art” in 1930 and the “Exhibition of French Art” in 1932; and two in Paris, “L’Art italien de Cimabue à Tiepolo” in 1935 and the “Chefs d’œuvre de l’art français” in 1937. In comparing the shows – their organisation, contents, display and critical reception – my intention is to unpick the various political, art historical, even economic interests which sought to marshal art in these years. If the different faces these retrospectives presented were neither faithful nor scholarly reflections, in each case the evocation of a distant past was a mirror that reflected the divergent needs of the present.