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How to be a hero: a rhetorical analysis of supermanu27s first appearance in Action Comics

机译:如何成为英雄:对超人在动作漫画中首次露面的言辞分析

摘要

Through a combination of rhetorical heightening, idiom, and structure, Superman creators Jerry Siegel and Joe Shuster influenced their young American audience with the first appearance of Superman in 1938’s Action Comics no. 1. Superman’s lack of distinguishing characteristics, dual identity, and embodiment of American culture allowed the character to become a vehicle for Siegel and Shuster, persuading children to be a helper of those in need and champion of the oppressed. Varying panel size and choosing what to show from what not to show allowed Siegel and Shuster to heighten specific moments within Superman’s story. Through metaphor and symbolic modeling, children recognized the impact of helping others in their lives both as a child and later as an adult. The tools that Siegel and Shuster had available to them in this particular medium—such as being able to simultaneously heighten several different moments within the narrative in one panel—make it a unique form of rhetorical heightening in fiction.
机译:通过夸张的表达,习语和结构的结合,超人创作者杰里·西格尔(Jerry Siegel)和乔·舒斯特(Joe Shuster)在1938年的《动作漫画》中首次出现了超人,从而影响了年轻的美国观众。 1.超人缺乏独特的特征,双重身份以及美国文化的体现,使该角色成为西格尔和舒斯特的媒介,说服儿童成为有需要者的帮助者和被压迫者。面板尺寸的变化以及从不显示中选择显示的内容,使Siegel和Shuster可以提高超人故事中的特定时刻。通过隐喻和象征性建模,孩子们意识到了帮助孩子和成年后的他人所产生的影响。 Siegel和Shuster在这种特定媒介中可以使用的工具(例如能够同时在一个面板中提升叙事中的几个不同时刻),使其成为小说中修辞提升的一种独特形式。

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    Paris Sevan Michael;

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  • 年度 2011
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  • 原文格式 PDF
  • 正文语种 English
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