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Digital Craft

机译:数码工艺

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摘要

1479 Plates is a nine metre by five metre public artwork by Chris Tipping, commissioned by Bath and North East Somerset Council to commemorate the Combe Down Stone Mines Stabilisation Project.1 It takes the form of a map printed on 788 bone china dinner plates, exploring the relationship between present-day engineering and mining technology, stone mines heritage, natural history, and two eighteenth-century entrepreneurs, Ralph Allen and Josiah Wedgwood. The work was created in collaboration with Autonomatic (the 3D Digital Research Cluster at University College Falmouth), Oxford Archaeology, Hydrock, Scott Wilson, and the Combe Down project team, and was manufactured by Digital Ceramic Systems in Stoke-on-Trent.2 Each of 691 households affected by the stabilisation works were gifted a ceramic plate, one small part of the map, representing not only the individual household but the mining underworld beneath it.
机译:1479 Plates是由Chris Tipping制作的9米x 5米公共艺术品,由Bath和东北萨默塞特郡委员会委托进行,以纪念Combe Down石矿稳定项目。1它以在788块骨瓷餐盘上印刷的地图的形式进行探索。当今工程与采矿技术,石矿的传承,自然历史与两位18世纪企业家拉尔夫·艾伦(Ralph Allen)和约西亚·韦奇伍德(Josiah Wedgwood)之间的关系。该作品是与Autonomatic(法尔茅斯大学学院的3D数字研究集群),牛津考古学,Hydrock,Scott Wilson和Combe Down项目团队合作创建的,由Digital Ceramic Systems在特伦特河畔斯托克制造。2受到稳定工程影响的691户家庭中,每人都有一块陶瓷板,这是该地图的一小部分,不仅代表单个家庭,而且还代表其下的采矿地下世界。

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  • 来源
    《Ceramic review》 |2011年第247期|共2页
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  • 原文格式 PDF
  • 正文语种 eng
  • 中图分类 陶瓷工业;
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