As an apprentice the day began at 8.30 sharp. In the summer the timber and corrugated iron building was idyllic but in winter my first task was to split logs for the small wood-burning stove used for heating the workshop, boiling kettles and drying pots. With the doors clammed shut and plastic sheeting as secondary glazing, the main work room would take a few hours to warm up. The workshop rhythm revolved around the firings of the big kiln, which, with only the two of use potting, took place nine or ten times a year. This meant three of four weeks making followed by a week or so glazing and decorating, kiln packing and then firing. Each week began with a making list written by David in his strong handwriting, with the weight of clay for each item, the sizes, quantities and perhaps a sketch of each pot. A rough time by which to complete the work was given, so it was clear what was expected-or at least what to aim for.
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