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首页> 外文期刊>Ceramic review >GRAEME WILKIE: TERRAIN
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GRAEME WILKIE: TERRAIN

机译:格雷米·威尔基:地形

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Terrain was an appropriate title for Graeme Wilkie's first solo exhibition since 2000. Working from his studio/gallery complex at Qdos Arts in Lome, Wilkie has operated his anagama kiln since 1997. The design, adapted from one by master kiln builder Hikaru Shimamura, is described by Wilkie as 'candle-flame shape, tapering in on both sides like a sculptural form' (approx. 10 X 2 X 2m), and achieving tremendous combustion. For his annual firing, which lasts six days, Wilkie works with a team of twelve to fifteen people in eight-hour shifts. It is a disciplined and concerted process, particularly this year with some 150 vessels fired, and thirty-five pieces in the exhibition.
机译:Terrain是2000年以来Graeme Wilkie首次个展的恰当称呼。Wilkie从其位于洛美Qdos Arts的工作室/画廊开始工作,自1997年以来就开始经营自己的anagama窑。该设计由窑主Hikaru Shimamura改编而成。威尔基(Wilkie)将其描述为“烛光形,在两侧像雕塑一样逐渐变细”(约10 X 2 X 2m),并实现了极大的燃烧。为了持续进行为期六天的年度解雇,威尔基与一个由12至15人组成的团队一起工作,每班八小时。这是一个纪律严明和协调一致的过程,尤其是今年,有150艘船只被发射,展览中有35艘。

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