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LOVE IS IN THE AIR: We swap guns for flowers in this late-war diorama

机译:爱在空中:在这个战争后期的西洋镜中,我们用枪交换鲜花

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摘要

One of the supposedly accepted rules of modelling is that good dioramas have to tell a story. I have never been very convinced about this statement; I have seen dioramas in which nothing really happens that nevertheless looked excellent, and others containing a plot that said nothing to me - and all of this regardless of their technical qualities. What are then the qualities of a good diorama? Over the last few years my way of seeing dioramas, or even small scenic settings or vignettes for military vehicles has somewhat changed. I do not dare to say that it is modelling itself that has changed, but more likely only my own humble perception of this subject. Some years ago I appreciated the quality of a model in itself, that is, its merits in regard to the building, detailing and the painting, whereas the 'surroundings' (figures, equipment, scenic base...) were secondary factors. That was reflected in my own modelling where I rarely added figures or even simple scenic groundwork.
机译:公认的建模规则之一是,良好的西洋镜必须讲述一个故事。我从来没有对这句话说服过。我看过西洋镜,其中什么都没有发生,看上去仍然非常出色,而其他的则包含了对我无话可说的情节-所有这些都与他们的技术素质无关。好的西洋镜有什么特质?在过去的几年中,我看到西洋镜,甚至是小的风景区或军用车辆装饰图案的方式已经发生了一些变化。我不敢说是建模本身已经改变,但更可能是我对这个主题的谦逊见解。几年前,我赞赏模型本身的质量,即模型在建筑,细节和绘画方面的优点,而“周围环境”(图,设备,风景基地...)是次要因素。这反映在我自己的建模中,我很少添加图形甚至简单的风景基础。

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