Sun Tunnels, four concrete cylinders placed in the sands of Utah's Great Basin Desert, is arguably the artist Nancy Holt's best-known installation -one that links her to landscape and to the constellation of mostly male land artists of the 1960s and 1970s, including her husband, Robert Smithson. Via photographs, archival materials, and scholarly essays, Nancy Holt/Inside Outside expands our understanding of her varied contributions over five decades. The authors lisa Le Feuvre and Katarina Pierre interpret Holt's work as a study in interconnected systems and ecologies, steering the reader away from the heroic antics the land art movement performed on the American West.
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