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首页> 外文期刊>Anatomical science international >Envisioning the inner body during the Edo period in Japan: Inshoku yojo kagami (Rules of Dietary Life) and Boji yojo kagami (Rules of Sexual Life).
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Envisioning the inner body during the Edo period in Japan: Inshoku yojo kagami (Rules of Dietary Life) and Boji yojo kagami (Rules of Sexual Life).

机译:在日本的江户时代,人们对​​内在身体的设想是:饮食生活规则(Inshoku yojo kagami)和性生活规则(Boji yojo kagami)。

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摘要

There are two ukiyoe, Japanese woodblock prints, that were produced around 1850 and give a good picture of the images of the insides of the human body that were widely accepted among the common people in the Edo period. The Inshoku yojo kagami (Rules of Dietary Life) shows a man drinking sake. The Boji yojo kagami (Rules of Sexual Life) shows a woman, apparently a courtesan. The purpose of the two ukiyoe was to educate viewers about the functions of the principal inner organs in the traditional East Asian concept of the body and to admonish them against excessive eating, drinking and sexual intercourse. The contrivance of the two ukiyoe lies in their fusion of two formats. One is the format of a see-through body displaying the internal organs. The other is that of explaining the functions of the various internal organs in the form of familiar scenes from the living space of cities and households. Miniature sketches can be seen in the prints of people at work, performing the tasks believed to be that ofeach organ. However, the scheme of the two ukiyoe was not an innovation of the author of the ukioye. Already in the kibyoshi (Yellow Cover booklets), the scheme of likening the interior of the body to a living space had been adopted. After entering the 18th century, Chinese medical knowledge and anatomical drawings became available. As sex manuals, Yellow Cover booklets, and ukiyoe publications, incorporated and disseminated the newly acquired medical knowledge and the medical concept of the body gradually became the common sense view among people in the street.
机译:有两种浮世绘,日本木版画,大约在1850年左右制作而成,很好地描绘了在江户时代被普通百姓所接受的人体内部图像。 Inshoku yojo kagami(饮食生活规则)显示了一个男人喝酒。 《性生活规则》显示了一个女人,显然是一个妓女。这两个浮世绘的目的是教育观众关于传统东亚人体概念中主要内脏器官的功能,并告诫他们不要过度进食,饮水和进行性交。两种浮世绘的创新之处在于它们两种格式的融合。一种是显示内部器官的透明身体的形式。另一种是从城市和家庭的居住空间以熟悉的场景的形式解释各种内部器官的功能。微型草图可以在工作人员的照片中看到,它们执行着被认为是每个器官的任务。但是,两个浮世绘的方案并不是浮世绘作者的创新。在kibyoshi(黄色封面小册子)中,已经采用了将身体内部比喻为居住空间的方案。进入18世纪后,中国的医学知识和解剖图面世成为可能。作为性爱手册,Yellow Cover小册子和浮世绘出版物,结合并传播了新获得的医学知识,而身体的医学观念逐渐成为街头人的常识。

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