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'Costruzione del viadotto': MA-XRF in the pictorial executive technique of Agostino Bosia

机译:“高架桥的建设”:Ma-XRF在agostino bosia的图画官僚技术中

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摘要

During the restoration process of a huge oil canvas (266 cm x 361 cm x 3 cm) by Agostino Bosia, a deep diagnostic campaign was carried out to characterize the original materials and those stratified over time. The activity was supported by the technologies available today in the field of conservation of the Cultural Heritage. Multispectral analyses (UV fluorescence, infrared reflectography, infrared false-colour post-production, digital radiography) associated with punctual (X-Ray Fluorescence, Fibre Optics Reflectance Spectroscopy) and microstratigraphic analyses (visible light and UV fluorescence optical microscopy and SEM-EDX) allowed to accurately reconstruct the artist's creative process and to identify the pictorial materials. The well-known analytical protocol was finally combined with Macro X-ray Fluorescence scanning technique (MA-XRF) in order to consolidate the results of the punctual, non-invasive analyses over a large area of the canvas.
机译:在Agostino Bosia对一块巨大的油画(266厘米x 361厘米x 3厘米)进行修复的过程中,进行了深入的诊断活动,以描述原始材料和随时间分层的材料的特征。这项活动得到了文化遗产保护领域现有技术的支持。多光谱分析(紫外荧光、红外反射、红外假彩色后期制作、数字射线照相)与准时(X射线荧光、光纤反射光谱)和微观结构分析(可见光和紫外荧光光学显微镜和SEM-EDX)相结合,可以准确地重建艺术家的创作过程,并确定绘画材料。众所周知的分析方案最终与宏观X射线荧光扫描技术(MA-XRF)相结合,以巩固大面积画布上准时、无创分析的结果。

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