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>The 'Monza Method': Light and three-dimensionality in the Galleria dei Carracci in the Palazzo Farnese in Rome/I
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The 'Monza Method': Light and three-dimensionality in the Galleria dei Carracci in the Palazzo Farnese in Rome/I
The illumination of historic art, frescos and statues is currently gaining in terms of quality through LED technology. What was formerly simply regarded as a task for uniform lighting - also with regard to the spectral composition of the light - is now seen as a design challenge. Paintings can be lit sensitively, and attention paid to the way different pigments respond to light. Two projects recently completed in Rome make for an interesting comparison: the Sistine Chapel and the frescoes painted by Annibale Carracci in Palazzo Farnese.
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