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THE COVER

机译:封面

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摘要

The Ocean Park series of paintings, by the Ameri-can artist Richard Diebenkorn (1922-1993), has been described as a set of frameworks suspending panels of attenuated color. In one of the paintings of this series, Ocean Park #54 (cover), a panel in marine blue is suspended from a post-and-lintel frame in tan, blue, and green, accented with blocks of violet and dark blue. The framing device is like a portal. Most of the paintings in the series have a similar vertical orientation that was inspired in part by Henri Matisse's 1914 painting French Window at Collioure, which consists of three vertical strips framing a dark interior. The most notable feature of the Ocean Park paintings, aside from their architecture, is their unfinished appearance. Diebenkorn's style of composition was to make it up as he went along, amending and correcting as needed, coming to a full stop when he was satisfied with the concept. He saw no point in smoothing out the imperfections; that would be overkill.
机译:Ameri-Can艺术家Richard Diebenkorn(1922-1993)的海洋公园系列绘画已被描述为一组悬浮面板的框架。 在这个系列的一个绘画中,海洋公园(封面),海蓝色的面板悬挂在棕褐色,蓝色和绿色的后楣架上,用紫罗兰树块和深蓝色。 框架设备就像一个门户网站。 该系列中的大部分绘画都有类似的垂直方向,部分垂直方向是由Henri Matisse的1914年绘画法国窗口的启发,它由三个垂直条带构成黑暗内部。 除了他们的建筑之外,海洋公园绘画的最值得的特征是他们未完成的外观。 DieBenkorn的作文风格是因为他在需要时修改和纠正,当他对这个概念感到满意时,即将到来。 他在平滑瑕疵时看到没有意义; 这将是矫枉过正。

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