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THE COVER

机译:封面

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摘要

The Ocean Park series of paintings, by the Ameri-can artist Richard Diebenkorn (1922-1993), has been described as a set of frameworks suspending panels of attenuated color. In one of the paintings of this series, Ocean Park #54 (cover), a panel in marine blue is suspended from a post-and-lintel frame in tan, blue, and green, accented with blocks of violet and dark blue. The framing device is like a portal. Most of the paintings in the series have a similar vertical orientation that was inspired in part by Henri Matisse's 1914 painting French Window at Collioure, which consists of three vertical strips framing a dark interior. The most notable feature of the Ocean Park paintings, aside from their architecture, is their unfinished appearance. Diebenkorn's style of composition was to make it up as he went along, amending and correcting as needed, coming to a full stop when he was satisfied with the concept. He saw no point in smoothing out the imperfections; that would be overkill.
机译:由美利坚合众国艺术家理查德·迪本科恩(Richard Diebenkorn,1922-1993年)创作的海洋公园系列画作被描述为一组框架,用于悬挂彩色面板。在该系列的其中一幅画作中,海洋公园#54(封面)中,海洋蓝色的面板悬挂在棕褐色,蓝色和绿色的后门post框架中,并带有紫色和深蓝色的块。框架设备就像一个门户。该系列中的大多数绘画都具有类似的垂直方向,这在某种程度上受到亨利·马蒂斯(Henri Matisse)1914年在科利尤尔(Collioure)的绘画《落地窗》(French Window)的启发,该框架由三个垂直条带组成一个黑暗的内部。海洋公园画中最显着的特征是其未完成的外观。 Diebenkorn的作曲风格是在他进行的过程中加以弥补,并根据需要进行修改和修正,直到他对这一概念感到满意时就停止了。他看不出要消除这些缺陷是没有意义的。那太过分了。

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