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机译:封面

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摘要

HUMAN SUFFERING IS THE ENDURING THEME IN THE ART of Georges Rouault (1871-1958). The sad clowns and weary prostitutes in his dark, smudgy paintings wear the facial expressions of their private moments, when people allow themselves to look the way they feel. Critics complained that his subjects were distressing and his pictures were ugly, but of course there is nothing pretty about human suffering.Rouault was born during the German bombardment of Paris in 1871. At age 14, he was apprenticed to an artisan who made and restored stained glass windows, and this experience was probably the first major influence on his idiosyncratic style. In his subsequent paintings and prints, the dark, heavy outlines of solid figures are reminiscent of the lead strips that join shapes of colored glass in church windows.
机译:人的苦恼是乔治·鲁奥(1871-1958)艺术中的永恒主题。当人们让自己以自己的方式看待自己时,黑暗,肮脏的绘画中的悲伤小丑和疲惫的妓女戴着私人时刻的面部表情。批评家抱怨说,他的臣民很痛苦,他的照片丑陋,但当然没有什么关于人的苦难的事。鲁特出生于1871年德国轰炸巴黎期间。14岁时,他成为了工匠的学徒,他制作并修复了这幅画。彩色玻璃窗,这种经历可能是他特质风格的第一个主要影响力。在他随后的绘画作品中,深色沉重的实心轮廓使人联想到在教堂窗户上连接彩色玻璃形状的铅条。

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