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The Beauty in Design - Aesthetics and Functions Caused by Combining Analogue with Digital Processing - Case Studies of Fashion Engineering and Automotive Design

机译:设计之美-模拟与数字处理相结合产生的美学和功能-时装工程和汽车设计案例研究

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Design attraction and design codes stands in relationship to function and strategy concepts in business cases of fashion as well as in automotive design. At the same time we are living in a design dominated world, which gets new inspirations by changing production processes from the fourth industrial revolution. Industry 4.0, that will transform design, operation, service, and manufacture of products. Generating design as “form follows function”, with the requirement, like Dieter Rams said, “less design as possible” shows the timeless reasonable fact of classic style with focussing the end of natural sources. The demand on the beauty in design will never end. But what does “Beauteousness” means in design in the year 2020? How to generate new or timeless beauty in design? How to implement consumers demand for a wider variety of increasingly customized products. The earlier definition of beauteousness during the renaissance time specified the term “beauteousness” in relationship to proportion, which had been measured with length in combination with the development of creating central perspective in art, to focus a harmonious balance of creative elements. Architects and theorists like Leon Batista Alberti defined a well proportion in balance, a harmony of elements to generate an ideal icon of beauty. During the 20s century architects like Sullivan and the Bauhaus school taught the beauty in design as forms related to timeless combinations of geometric forms. The modern times opened the possibility to get new impetus of the beauty in design, when ugly design gets attraction: Umberto Eco asked about the beauty in ugly phenomena with the help of his book “on Ugliness”, which inspired the fashion scene. Now, during the 21st century we have to consider that different parameters constructing beauty in design: sustainable requirements, bionic parameters and generated fashion are some examples. Beside the artistic and philosophical definition of beauteousness, the industrial process is creating beauty full forms: digital generating with special software allows to define new beauty full forms new beauty full codes in product design. And beside this, the generated design creates new functions. Today we know, that only the combination of thinking and doing, in analogue with digital processes will fashioning the future in all design disciplines.
机译:设计吸引力和设计规范在时装业务案例以及汽车设计中都与功能和战略概念相关。同时,我们生活在一个以设计为主导的世界中,该世界通过第四次工业革命改变生产工艺而获得了新的灵感。工业4.0,将改变产品的设计,运营,服务和制造。正如Dieter Rams所说,根据需求将设计生成为“形式跟随功能”,“尽可能少的设计”表明了经典风格永恒的合理事实,并着眼于自然资源。设计美的需求永无止境。但是,“美丽”在2020年的设计中意味着什么?如何在设计中产生新的或永恒的美?如何实现消费者对越来越多的定制产品的需求。在文艺复兴时期对美的早期定义中,相对于比例的术语是“美”,它是根据长度进行衡量的,并结合了在艺术中创造中心视角的发展,以期聚焦创意元素的和谐平衡。像Leon Batista Alberti这样的建筑师和理论家在平衡中定义了很好的比例,元素的和谐产生了理想的美丽象征。在20世纪,沙利文(Sullivan)和包豪斯(Bauhaus)学校等建筑师将设计之美传授给与永恒的几何形式组合相关的形式。当丑陋的设计吸引人时,现代打开了在设计中获得新动力的可能性:Umberto Eco在他的《论丑》一书的帮助下询问了丑陋现象中的美。现在,在21世纪,我们必须考虑在设计中构建美感的不同参数:可持续性要求,仿生参数和生成的时尚是其中的一些示例。除了对美的艺术和哲学定义之外,工业过程还在创建美颜形式:使用特殊软件进行数字生成可以在产品设计中定义新的美颜形式新的美颜形式代码。除此之外,生成的设计还创建了新功能。今天,我们知道,只有将思维与行动结合起来,再与数字过程进行模拟,才能在所有设计学科中塑造未来。

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