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Color Rendering of Images in the Internet and Print Reproductions of the Sistine Chapel's Frescos

机译:互联网上图像的彩色渲染和西斯廷教堂壁画的印刷复制品

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摘要

Many digital reproductions of artefacts can be found on the Internet. In this study we investigate differences between original works of art and digital reproductions downloaded from several online databases. Four frescos in the Sistine Chapel were selected for detailed investigation. Representative colored patches were measured on these reproductions from the Internet and from two printed albums. These data were compared with the Vatican Museum's measurements of the original frescos and measurements in the Sistine Chapel taken by the researchers of the Virtual Environments and Imaging Technologies Laboratory of the University of Pannonia. Results presented in this article demonstrate that there are significant differences between the original artefacts and their digital reproductions. The source of these differences is very complex. One is the difference between the displaying techniques of different web browsers, which produces relevant aberrations in color rendering. Differences can also arise from the JPEG encoding and decoding methods. Implicit use of color spaces in browsers, missing or incorrect EXIF data, and noncalibrated displays together can result in very different forms of representation.
机译:可以在互联网上找到许多人工制品的数字复制品。在这项研究中,我们调查了原始艺术作品与从几个在线数据库下载的数字复制品之间的差异。在西斯廷教堂中选择了四个壁画进行详细调查。在互联网和两张印刷专辑的这些复制品上测量了有代表性的彩色补丁。将这些数据与梵蒂冈博物馆对原始壁画的测量结果以及Pannonia大学虚拟环境和成像技术实验室的研究人员在西斯廷教堂中的测量结果进行了比较。本文介绍的结果表明,原始文物与其数字复制品之间存在显着差异。这些差异的来源非常复杂。一是不同Web浏览器的显示技术之间的差异,这会在彩色渲染中产生相关的像差。 JPEG编码和解码方法也会产生差异。在浏览器中隐式使用色彩空间,缺少或不正确的EXIF数据以及未经校准的显示,都可能导致非常不同的表示形式。

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