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Cities in music videos: Audiovisual variations on London's neoliberal skyline

机译:音乐录影带中的城市:伦敦新自由主义天际线的视听变化

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Despite the resurgence of music video clips in the YouTube era, they have not received attention as a specific subject of inquiry in either cultural or urban geography. This article is aimed at providing a full consideration of music videos with a focus on the urban realm. In particular, the paper concentrates on how neoliberal iconic buildings and city skylines emerge in music videos by using London as a case study. Drawing from recent developments within architectural geography and urban morphology, as well as in the geocultural subfields of music geography, media geography and film geography, the paper shows how a partial return to critical traditional interests and text-based research styles could be still useful to appreciate the mutable, fluid, and affective ways in which skylines are mediated. The empirical part of the paper provides an analysis of three music videos set in London and with lyrics and music that refer to a mood or feeling ascribed to London's iconic architecture.(1)
机译:尽管音乐视频片段在YouTube时代盛行,但作为文化或城市地理领域的一个特定研究主题,它们并未受到关注。本文旨在全面介绍音乐视频,重点关注城市领域。尤其是,本文将以伦敦为例,研究音乐录像带中新自由主义标志性建筑和城市天际线的出现方式。借助建筑地理学和城市形态学以及音乐地理学,媒体地理学和电影地理学的地理文化子领域的最新发展,本文显示了如何部分回归重要的传统兴趣和基于文本的研究风格对于欣赏天际线的可变,流动和情感方式。本文的实证部分分析了伦敦的三部音乐录影带,以及歌词和音乐,它们均归因于伦敦的标志性建筑。(1)

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