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How a three-decade remaking of the city revived the buzz of 'Marvellous Melbourne'

机译:这座城市历时三个十年的改造如何重振了“ Marvellous Melbourne”的喧嚣

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摘要

In the gallery of Australian art at Federation Square hangs John Brack's iconic portrait of Melbourne in the 1950s; Collins Street, 5pm. This painting of the ritual march home from work to the suburbs depicts a city full of people and buildings, yet monochromatic and flat. It has become iconic not only because it captured a mid-20th-century conformity, but also because it stood for the loss of an intensive urbanity that had flourished in the 'Marvellous Melbourne' of the late 19th Century. While this era came to a crashing end with the 1890s depression. Melbourne did not fall into decline so much as into conformity and staidness. Through the early decades of the 20th Century and two World Wars Melbourne remained a major city, but the focus of its development shifted to the suburbs.
机译:1950年代,在约翰·布拉克(John Brack)的墨尔本标志性肖像画中,在联邦广场的澳大利亚艺术画廊中悬挂着;柯林斯街,下午5点。这幅画描绘了从工作到郊区的礼仪行军住宅,描绘了一个充满着人和建筑物的城市,却是单色而平坦的。它之所以成为标志性建筑,不仅因为它捕捉了20世纪中叶的风土人情,而且还因为它代表了19世纪后期“墨尔本奇迹”盛行的集约城市化的丧失。虽然这个时代随着1890年代的萧条而崩溃了。墨尔本的跌落并没有像整合和沉着那样跌倒。在20世纪初期和两次世界大战中,墨尔本仍然是主要城市,但其发展重点转移到了郊区。

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  • 来源
    《Transit Australia 》 |2018年第3期| 73-73| 共1页
  • 作者单位

    Architecture and Urban Design, University of Melbourne;

    University of Melbourne;

    Landscape Architecture, RMIT University;

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  • 正文语种 eng
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