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首页> 外文期刊>Transactions of the Ancient Monuments Society >In the Footsteps of William of Wykeham: Anglican Priest-Architects of the Nineteenth Century
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In the Footsteps of William of Wykeham: Anglican Priest-Architects of the Nineteenth Century

机译:在威克汉姆·威廉的脚步中:19世纪的英国国教牧师-建筑师

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The drift of much post-war scholarship has been away from the Romantic belief that the medieval faithful, whether laity, monks, or clergy, spurred on by the example of the early Christians of Rome in their hewn out caves, built churches and monasteries with their own devoted labour. Long-standing AMS trustee John H. Harvey spent much of his professional life establishing the concept of the medieval architect, demonstrating that the greatest churches and cathedrals were as much the result of individual human genius as the coming together in the corporate, even divine, inspiration of God's People and Clergy. And yet, as James Bettley shows in this seminal paper, the concept of the Anglican priest-architect in the heyday of the nineteenth-century Gothic Revival has, if anything, been underplayed. Ernest Geldart was just one among many clergymen who not only built or embellished their own churches but on occasion offered their services to other congregations. Although this paper is confined to the work of Anglican clergy, the story is just as convincing beyond the Established Church. Men like Father Benedict Williamson were the Roman Catholic equivalent of Geldart, and what at face value seems like a Puginian myth, that the Franciscan Brothers shared the scaffolding with professional builders to construct the magnificent monastery at Gorton in Manchester, designed by E.W. Pugin in 1866-72, turns out to have been true. And in Wales few have hitherto taken seriously the Revd William Jones, who designed over 200 chapels, and the Revd Thomas Thomas, responsible for scores more. The Revd Thomas Morris seems by comparison to have been positively meagre in his output, given his friendly nickname of 'Ten Chapel Tom'.
机译:战后大量奖学金的流失与浪漫主义信念背道而驰,中世纪的信奉者,无论是俗人,僧侣还是神职人员,都受到罗马早期基督徒在他们挖出的山洞,修建教堂和修道院中的榜样的刺激。他们自己的劳动。 AMS的长期受托人约翰·哈维(John H. Harvey)在其职业生涯中的大部分时间都建立了中世纪建筑师的概念,这表明最伟大的教堂和大教堂是个人天才的产物,就像公司,甚至是神职人员齐聚一堂一样,神的子民和神职人员的灵感。然而,正如詹姆斯·比特里(James Bettley)在这份开创性论文中所表明的那样,如果有的话,人们对19世纪哥特复兴时期鼎盛时期的英国国教牧师建筑师的概念却没有重视。欧内斯特·盖尔达特(Ernest Geldart)只是众多神职人员之一,他们不仅建造或装饰了自己的教堂,而且有时还为其他会众提供服务。尽管本文只限于英国国教神职人员的工作,但这个故事同样令人信服,超越了建立教会。像本尼迪克特·威廉姆森神父这样的人在罗马天主教中相当于格尔达特,而表面上的价值似乎像普吉尼亚人的神话,方济各会兄弟与专业建筑商共享脚手架,以在曼彻斯特的戈顿建造宏伟的修道院,这是由EW·普金在1866年设计的-72,事实证明这是真的。迄今为止,在威尔士很少有人认真对待设计了200多座教堂的威廉·琼斯牧师(Revd William Jones)和负责分数更高的牧师托马斯·托马斯(Revd Thomas Thomas)。相比之下,托马斯·莫里斯牧师(Revd Thomas Morris)的绰号是“十教堂汤姆(Ten Chapel Tom)”,因此他的作品似乎微不足道。

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