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The Culture War Is Really a Culture Circus

机译:文化大战确实是文化马戏团

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I went to see the passion of the christ last Wednesday afternoon in a working-class neighborhood of the Bronx, with an audience-a full house-composed mostly of blacks and Latinos. It was a stunning experience in a way that I didn't expect. The first scene of scourging, in which giddy, leering Roman guards torture Jesus with canes, cudgels and whips studded with glass shards, evoked a powerful reaction from the audience. There were gasps and audible sobbing, which continued for some time. But as the torture went on, and on, as Jesus stag-gered through the Stations of the Cross, punched and kicked and flayed again, the theater fell silent By the time of the Crucifixion, the audience seemed emotionally exhausted and numbed to the violence. There was no catharsis. I saw only dry eyes as we left.
机译:上周三下午,我去了布朗克斯区一个工人阶级的社区,看到基督的激情,观众席里都是一个充满房子的房子,大部分都是黑人和拉丁裔。这是我意想不到的惊人体验。冲刷的第一个场景是,喜怒无常,欢呼鼓舞的罗马卫兵用拐杖,棍棒和鞭子夹着玻璃碎片折磨耶稣,引起了观众的强烈反响。有喘息声和抽泣声,持续了一段时间。但是随着酷刑的不断进行,当耶稣在十字架的驿站徘徊,猛击,踢踢和再次折腾时,剧院变得沉默了。到了钉十字架的时候,观众似乎精疲力尽,麻木了暴力。没有导尿。我们离开时只看到干眼。

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