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Home is where the heart is

机译:家是心之所在

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It's a rare occurrence to catch an offshore presentation that references Lamborghinis, iPods and modernist sculptor Barbara Hepworth - though all three were mentioned in a lively paper delivered by Dr Sean McCartan, of Coventry University's department for industrial design, at the inaugural RINA Design & Construction of Wind Farm Vessels conference, hosted in London in January 2014. Demand for these accommodation structures is growing, as the renewable energy sector heads into deeper waters to establish workable offshore wind turbine arrays. This demand, McCartan argues, should also serve as a springboard for a rethink in how the industry actually designs these structures; simply viewing these platforms as a series of berths for rest, and ignoring a finer aesthetic approach, could have an indirect negative impact on worker morale.
机译:在离岸演讲中提到兰博基尼,iPod和现代雕塑家芭芭拉·赫普沃斯(Barbara Hepworth)的情况很少见,尽管在首届RINA设计与建筑学院的考文垂大学工业设计系Sean McCartan博士发表的生动论文中提到了这三者于2014年1月在伦敦举行的风电场船舶大会上发表的论文。随着可再生能源行业进入更深的水域以建立可行的海上风力发电机组,对这些住宿结构的需求正在增长。麦卡丹认为,这种需求也应该成为重新思考行业实际设计这些结构的跳板。只是将这些平台视为一系列休息的泊位,而忽略了更好的美学方法,可能会对工人的士气产生间接的负面影响。

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    《The Naval Architect》 |2014年第2期|5-5|共1页
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  • 收录信息 美国《科学引文索引》(SCI);美国《工程索引》(EI);
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  • 正文语种 eng
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