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Creating a Socialist Feminist Cultural Front: Women of China (1949-1966)

机译:创建社会主义女权文化阵线:中国妇女(1949-1966)

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摘要

This article is a study of socialist feminist cultural practices in the early PRC. It investigates stories behind the scenes and treats the All-China Women's Federation's official journal Women of China as a site of feminist contention to reveal gender conflicts within the Party, diverse visions of socialist transformation, and state feminist strategies in the pursuit of women's liberation. A close examination of discrepancies between the covers and contents of the magazine explicates multiple meanings in establishing a socialist feminist visual culture that attempted to disrupt gender and class hierarchies. Special attention to state feminists' identification with and divergence from the Party's agenda illuminates a unique historical process in which a gendered democracy was enacted in the creation of a feminist cultural front when the Party was consolidating its centralizing power. The article demonstrates a prominent "gender line" in the socialist state that has been neglected in much of the scholarship on the Mao era.
机译:本文是对中国早期社会主义女性主义文化习俗的研究。它调查了幕后的故事,并将中华全国妇女联合会的官方杂志《中国妇女》作为女权主义争夺的场所,以揭示党内的性别冲突,社会主义转型的不同视角以及追求女性解放的国家女权主义策略。对杂志封面和内容之间差异的仔细检查揭示了建立社会主义女权主义视觉文化的多重含义,该文化试图破坏性别和阶级阶层。特别关注国家女权主义者对党的议程的认同和分歧,阐明了一个独特的历史过程,在这一过程中,当党巩固其集权力量时,便在建立女权文化阵线时实行了性别民主。这篇文章表明了在毛泽东时代许多学术研究中都忽略了的,在社会主义国家中突出的“性别界限”。

著录项

  • 来源
    《The China quarterly》 |2010年第204期|p.827-849|共23页
  • 作者

    Wang Zheng;

  • 作者单位

    University of Michigan;

  • 收录信息
  • 原文格式 PDF
  • 正文语种 eng
  • 中图分类
  • 关键词

  • 入库时间 2022-08-18 00:43:27

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