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One of the greats

机译:伟人之一

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There's a lovely text in this book in which Souto de Moura extols the virtues of Bic biros. Transparent, universal, cheap, lacking any hint of self-consciousness, and a way of avoiding the temptation that a pencil might give for complex and subtle shading, the Portuguese architect regards it as the perfect tool for designing on napkins, matchboxes, notebooks, or whatever comes to hand. There is a delightful lack of pretentiousness in it, and the pure, beautiful buildings in this book are deceptively simple and unpre- tentious, yet the authors insist on using the kind of spurious architectural phraseology that reeks of Pseuds' Corner. When Souto de Moura himself speaks, however, clarity reappears, and the texts include a very useful three-way discussion between him and his teachers Fernando Tavora and Alvaro Siza - a kind of Holy Trinity of Portuguese Modernism, possibly unequalled elsewhere. But it is the wonderful photographs and drawings which make this the must-have book on the architect's architect.
机译:本书中有一段可爱的文字,其中Souto de Moura赞美Bic biros的美德。透明,通用,便宜,没有任何自我意识的暗示,以及一种避免铅笔为复杂而微妙的阴影提供诱惑的方法,这位葡萄牙建筑师将其视为设计餐巾纸,火柴盒,笔记本,或任何即将到来的东西。里面缺少令人愉悦的自命不凡的感觉,而本书中纯净,美丽的建筑看似简单且朴实无华,但作者坚持使用伪造的角落里虚假的建筑措辞。然而,当Souto de Moura亲自讲话时,清晰性再次出现,并且课文包括他与他的老师Fernando Tavora和Alvaro Siza之间非常有用的三方讨论,这是葡萄牙现代主义的三位一体,在其他地方可能是无与伦比的。但是,正是这些精美的照片和图纸使这本成为建筑师的必读书籍。

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