The Critics

摘要

On the third floor of Annely Juda Fine Art in London sits MF-142, the latest work by Sarah Oppenheimer, who is described by the gallery as an 'architectural manipulator'. Slanted planes are used to alter your perception of the conventional gallery space, becoming floor, ceiling or wall, depending on where you are standing. Also featured are Oppenheimer's trademark holes, which only align in one position, allowing an unexpected view of the outside world (see above).