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The Barbicans Le Corbusier debate was less about ethics than architecture's genius virus, says Jay Merrick

机译:杰伊·梅里克(Jay Merrick)说,巴比肯人​​勒·柯布西耶(Barbicans Le Corbusier)的辩论所关注的不是道德,而是建筑的天才病毒

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A debate conflating Le Corbusier with world-saving design and ethics is inherently problematic, because one has first to assume that the Bakelite-spectacled chimera designed with an ethically open-handed appreciation of ideas and lives very different to his own. Unfazed by the challenge, Sean Griffiths of FAT, architectural historian Charles Jencks, Winy Maas of MVRDV, Cameron Sinclair co-founder of Architecture for Humanity and Fabian Hecker of Zaha Hadid Architects got down to it, with the BBC's Razia Iqbal in the chair.rnCharles Jencks set the tone: Corb was 'the Barack Obama of architecture': a charismatic convincer, the greatest architect of the 20th century, whose legacy was manifest in the 'cosmic' poetics of buildings like the Unite d'Habitation (1952) and Notre Dame du Haut, Ronchamp (1954). Cosmic, therefore ineffable, so never mind the Plan Voisin or letters to his chum, Benito Mussolini.
机译:一场辩论将勒·柯布西耶与拯救世界的设计和道德观念混为一谈是天生就有问题的,因为人们首先必须假设,胶木色的嵌合体在设计上以道德上开放的方式理解了思想和生活,与他自己的生活截然不同。 FAT的肖恩·格里菲思(Sean Griffiths),建筑历史学家查尔斯·詹克斯(Charles Jencks),MVRDV的Winy Maas,人性建筑联合创始人卡梅伦·辛克莱尔(Cameron Sinclair)和Zaha Hadid Architects的法比安·赫克(Fabian Hecker)毫不犹豫地接受了挑战,而英国广播公司(BBC)的拉齐亚·伊克巴尔(Razia Iqbal)担任了主席。 rn查尔斯·詹克斯(Charles Jencks)定下了基调:科尔(Corb)是“建筑学的巴拉克·奥巴马(Barack Obama)”:一个有超凡魅力的说服者,20世纪最伟大的建筑师,其遗产体现在“团结”(1952)和巴黎圣母院,朗尚(1954)。宇宙,因此无法言喻,所以不要介意计划Voisin或写给他的密友Benito Mussolini的信。

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    《The architects' journal》 |2009年第14期|44-44|共1页
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