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Capturing the essence of London was one hurdle too many for the artists of the Olympics posters

机译:对于奥运会海报的艺术家来说,捕捉伦敦的本质是一个很大的障碍。

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Remember those Olympics posters designed for the 2012 Games by the likes of Tracey Emin,rnBridget Riley and Rachel Whiteread? Neither do I.They were launched last November and, despite Tate director Nicholas Serota's claim that they are 'compelling', in general they are super-dull. Gary Hume's is perhaps the worst of the lot - a rough abstract of leaves and circles, in off-greens and off-reds. According to the artist the large circle at the bottom of the poster represents the wheel of a wheelchair and the smaller one a tennis ball. Hmm.
机译:还记得那些由Tracey Emin,rnBridget Riley和Rachel Whiteread为2012年奥运会设计的奥运会海报吗?我也不是。去年11月发射了它们,尽管泰特导演尼古拉斯·塞罗塔(Nicholas Serota)声称它们``引人注目'',但总体来说它们是超级沉闷的。加里·休姆(Gary Hume)的作品可能是最糟糕的了-粗略的叶子和圆形摘要,呈绿色和红色。根据艺术家的说法,海报底部的大圆圈代表轮椅的轮子,较小的圆圈代表网球。嗯

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  • 来源
    《The architects' journal》 |2012年第3期|p.36|共1页
  • 作者

    Rory Olcayto;

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  • 入库时间 2022-08-18 00:33:04

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