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JOSEPH RYKWERT POPS TO THE BARBICAN

机译:约瑟夫·莱克沃特(Joseph RYKWERT)爆料

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摘要

'Brash, colourful and playful,' the Barbican calls the 'movement': an exhibition about Pop art and design - yes, design - should therefore provide unadulterated pleasure. Not just pleasure, but fun. That, after all, is what the movement - if movement it is - was supposed to be about. Or at least it was to be, 'Popular (designed for a mass audience); Transient (short-term solution); Expendable (easily forgotten); Low Cost; Mass Produced; Young (aimed at youth); Witty; Sexy; Gimmicky; Glamorous; Big Business.' So wrote Richard Hamilton (who should have known, since he is now considered its founding father) when he tried to define it in a letter to Alison and Peter Smithson in January 1957.
机译:巴比肯人称之为“动感,丰富多彩,好玩”,这是一场关于波普艺术与设计的展览-是的,设计-因此应该给人一种纯粹的愉悦。不只是乐趣,而是乐趣。毕竟,这应该是运动的一部分(如果是运动的话)。或者至少是,“流行(专为大众设计);瞬态(短期解决方案);消耗性(容易忘记);低成本;大规模生产的;年轻(针对青年);机智;性感头迷人大生意。'理查德·汉密尔顿(Richard Hamilton)(他应该知道,因为他现在被认为是其开国元勋)在1957年1月给艾莉森和彼得·史密森的信中试图对此进行定义时这样写道。

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