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Lace and lust

机译:蕾丝和欲望

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As television's great dis-ruptor, if Netflix is to take on a Regency period drama, expect it to try and reinvent the form. Enter Bridge/Ton, the streaming service's Christmas big-hitter and a fresh take on the decades-old style. For all the show's traditional draws, such as the opulence of the debutante season, high-society scandal and growls of "I demand satisfaction", a modern-day sensibility has been smartly woven throughout. "I love a good period piece, but they're often considered a little conservative. So, from the beginning, I wanted to make the period show I've always wanted to see," says the series showrunner Chris Van Dusen. "The themes we're exploring are set in the 19th century, but the stories and the characters are universal, which is how we get to explore some modern, relat-able issues on the show."
机译:作为电视的伟大解雇者,如果Netflix是在剧院戏剧中占据,期望它试图重新发明表格。进入桥梁/吨,流媒体服务的圣诞大击球手和几十年古老的风格。对于所有的展示的传统吸引,如融合季节的富裕,高社会丑闻和咆哮的“我需求满足”,现代的敏感性在整个中都很巧妙。 “我喜欢一个好的时期,但他们经常被认为是一个小保守的。所以,从一开始,我想让我一直想看看,我一直想看,”Showrunner Chris Van Dusen系列说。 “我们正在探索的主题是在19世纪举行的,但故事和角色是普遍的,这是我们如何在展会上探索一些现代,可靠的问题。”

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  • 来源
    《Television》 |2021年第1期|10-11|共2页
  • 作者

    Shilpa Ganatra;

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