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The Triple Articulation of Media Technologies in Audiovisual Media Consumption

机译:视听媒体消费中媒体技术的三重连接

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摘要

This article departs from the concept of "double articulation" within domestication theory, which views media as both objects and texts. Unfortunately, its empirical application has been problematic because researchers tend to concentrate on the contextual, losing sight of specific meanings of objects and texts. Therefore, we subscribe to the concept of "triple articulation," viewing the immediate sociospatial context of consumption as a specific articulation. Still, the practical relevance of this concept has been questioned. Therefore, we develop and test a methodology that explicitly incorporates this triple articulation in the field of convergent audiovisual media consumption. The results indicate that audiovisual media technologies are meaningfully articulated as objects, texts, and contexts. Moreover, the devised method, which allows the uncovering of articulation interactions, points out that each articulation is able to contribute independently to consumption meanings. Hence, the variation within objects, texts, and contexts raises questions about what we consider "television."
机译:本文与归化理论中的“双重发音”概念不同,后者将媒体视为对象和文本。不幸的是,它的经验应用存在问题,因为研究人员倾向于专注于上下文,而忽视了对象和文本的特定含义。因此,我们赞成“三重连接”的概念,将消费的直接社会空间环境视为特定的连接。尽管如此,这一概念的实际意义还是受到质疑。因此,我们开发并测试了一种方法,该方法在融合视听媒体消费领域明确包含了这种三重表达。结果表明,视听媒体技术被有意义地表达为对象,文本和上下文。而且,所设计的方法允许揭示关节之间的相互作用,指出每种关节都能够独立地对消费意义做出贡献。因此,对象,文本和上下文中的变化提出了关于我们认为“电视”的问题。

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