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Isn't She Adorkable! Cuteness as Political Neutralization in the Star Text of Zooey Deschanel

机译:她不是可敬的!柔伊·黛丝香奈(Zooey Deschanel)明星文本中的可爱作为政治中立

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摘要

It has been argued that cuteness is emerging as one of the dominant aesthetic categories of the twenty-first century. In this essay, I analyze the star text of actress and singer Zooey Deschanel to trace the impact of cuteness on the political energies of Millenials, the generational cohort arguably most affected by the deleterious aftershocks of the 2008 financial crisis. Deschanel is a particularly multi-mediated celebrity with an extensive presence in new media, a hit sitcom, and a number of commercial endorsements. I analyze how cuteness facilitates Deschanel's appeal to both mainstream and alternative modalities, and trace the affective power of a cute aesthetic to harness commercial imperatives and aid in the creation of a juxtapolitical intimate public that utilizes a restorative nostalgia to neutralize political energies amid straitened economic and social conditions.
机译:有人认为,可爱是二十一世纪主要的美学类别之一。在这篇文章中,我分析了女演员和歌手佐伊·德斯香奈尔(Zooey Deschanel)的明星文字,以追溯可爱对千禧一代的政治能量的影响。千禧一代可能被认为最受2008年金融危机的余波影响。 Deschanel是一位特别受多种媒体欢迎的名人,在新媒体,热门情景喜剧和大量商业背书中拥有广泛的知名度。我分析了可爱如何促进Deschanel吸引主流和替代形式的吸引力,并追溯了可爱美学的情感力量,以利用商业命令并帮助创建一个近乎政治的私密公众,利用怀旧的怀旧情绪在经济和社会陷入僵局的情况下中和政治能量。社会条件。

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